Sunday 14 December 2014

Acoustics: Analytical Thinking by Apocalypse



Acoustics...How Important?

A church’s physical size and structure, as well as sound requirements for the service, cover a broad and varied range.
The majority of churches require some acoustical treatment. 
And it is best to hire a trusted outside firm to handle the job (visit other churches where that firm has cured acoustical ills).
That said, before hiring an independent professional to do a thorough acoustical analysis of your church, it is a good idea to get a ballpark estimate of what it will take to fix the problems.
By the way, dispel yourself of the myth that acoustical challenges — especially severe ones — can be cured by console equalization, or even “room EQ.”  Here’s the information you need to provide an off-site analysis of your space/room acoustics: 

Room Dimensions
 This information allows the calculation of total room cubic volume, which is necessary to determine the existing sound absorption and derive the change needed to reach a desired acoustical result. Include length, width, height plus sides and ceiling peak.

 Surfaces
 What is the existing composition of the floor, walls and ceiling? Marble, carpet, wood, drywall, masonry, acoustical tile, drywall and plaster will all contribute their unique sound properties to the acoustical environment. The addition of acoustical material does not produce a change in total sound absorption by its full rating unless the surface being covered is extremely reflective. If the existing wall has some absorptive value, a new layer of acoustical material may provide only a marginal difference in absorption. 

 Seating
 Is seating hard or soft? Padded pews will prevent a big difference in sound when attendance may be down — during summer vacation, for example. If all surfaces are hard (marble floors, wood ceilings, plaster walls and wooden pews) acoustics will vary more with attendance and season. Heavy winter coats will reduce echo whereas summer attire and fewer folks will provide less absorption, allowing more reverberation.

 Capacity
 As implied above, there may be a need to compromise acoustics between perfect attendance and vacation time. How many people (maximum, minimum, typical) attend and how often? Do you want it to sound good most of the time? 

And Many other things Like Photos, Types of Service, Reverberation Time will give good information for independently asses and analyze a solution for the space/room.
For clarifications or technical, please do call us at +919395333255 or mail us at apocalypse@mail.org.
flawless perfections @apocalypse acoustic sciences corp.

Friday 25 July 2014

Worship Places by Apocalypse

In churches, synagogues and worship centers large or small, words and music can sound incomprehensible to  the congregation if sound is not properly controlled.
  • Poor sound quality is common in churches because of an abundance of hard surface materials. Brick, marble, stone, tile, glass, wood and sheet rock are all acoustically reflective. 
  • Sound waves bounce back and forth between parallel surfaces, creating a confusion of noise until they finally decay. Even the most strategically-placed speakers and microphones will not compensate for poor acoustics.
  • Every room needs some absorptive materials and some reflective materials to get the right acoustic mix for the room’s intended purpose. 
  • The challenge is to find that balance.
  • Apocalypse Acoustics Wall Panels and Acoustic Panels from Acube Acoustics, inc. are designed to absorb airborne sound energy and reduce a room’s overall noise, reverberation and standing waves—creating interiors that reduce the din without sacrificing the divine. 
Perfections @ Apocalypse Acoustics

Thursday 3 July 2014

What are Decibels?

What are Decibels?
  • The volume (or loudness) of a sound is measured in decibels (or dB). 
  • Think of it as the pressure (or energy) behind the volume. 
  • The general range of human hearing is from ~0dB to 120dB. A quiet library is about 30dB, while 120dB is considered the threshold of pain, where the ears begin to feel pain from the volume.
OSHA exposure limits: https://www.osha.gov/dsg/annotated-pels/index.html

For #Noise #Control #Perfections #Reach #Apocalypse #Acoustics

Friday 13 June 2014

Waves in elastic materials

Waves in elastic materials 

  • Many substances can be distorted by applying a force to the materials. Often the materials are elastic under small  perturbations: i.e. the original shape is restored when the force is removed.
  •  
  • Forces above the elastic limit cause the material to permanently distort.
     
  • The general theory of elastic materials is complicated because in many substances the elastic properties depends on the direction in the material.
For More answers available +Apocalypse Asia 

Sunday 8 June 2014

SOUND & NOISE By Apocalypse Acoustics

Sound and Noise

Generation Propagation and Reduction

  • What is Sound and How Do We Hear It?

Noise is simply unwanted sound. 
So first we might want to look at sound and how it is generated. 
Sound is actually changing air pressure. That is, a generator of sound must move the air back and forth, creating ‘‘sound waves’’ that can be heard (presumably by humans). 

One way to picture this is thinking of a large concert bass drum. When the mallet strikes the drum head, the head begins to move back and forth, or vibrate. As it does, it ‘‘pulls’’ some air in front of it towards itself, and then as the head moves out it pushes that same air away from it again. In doing so, the drum head creates small changes in air pressure that move (or propagate) through the air. These ripples in the air move out in all directions (acoustically, though not always equally), eventually striking our eardrum. 

The human eardrum is like a very small drum head itself that can be moved by these minor changes in air pressure. As it moves back and forth, we perceive sound.
 
In the simple example above, we can imagine the bass drum head moving in and out, and we might be able to imagine the waves in the air moving towards us, eventually striking our own ear drum, which moves in harmony with the waves, and our brain ‘‘hears’’ the sound the bass drum made. 

In real life however, it can get somewhat more complex, even though following the same basic principles.
But principles in physics remain the same....................Perfections in Air Pressure Control +Apocalypse Asia +Apocalypse Acoustics Inc (P) Ltd +Acoustics Asia 

Thursday 15 May 2014

ACOUSTIC DIFFUSORS BY APOCALYPSE......A VIEW OR A SUGGESTION


ACOUSTIC DIFFUSORS BY APOCALYPSE......A VIEW OR A SUGGESTION
  • Diffusors are used to reduce or eliminate repetitive echoes that occur in rooms/halls having parallel walls and a flat ceiling. Although there are different philosophies about how much natural reverberation recording studios and listening rooms should have, all professional studio designers agree that periodic reflections caused by parallel walls are best avoided. 
  • Therefore, diffusion is often used in addition to absorption to tame these reflections. Such treatment is universally accepted as better than making the room completely dead by covering all of the walls with absorbent material. 
  • For me, the ideal listening room has a mix of reflective and absorptive surfaces, with no one large area all live or all dead sounding. Understand that "live" and "dead" as described here concern only the mid and upper frequencies. Low frequency treatment is another matter entirely, and will be described separately.

Wednesday 14 May 2014

Wednesday 7 May 2014

Noise control principles

Machine noise control procedure:
  • Determine active and passive components
  • Airborne, liquid-borne or structural borne sources?
  • Identify transmission path
  • Identify radiating surfaces
Noise control Solutions@ #acousticsasia

The mass-frequency law

#Double walls:
1. Extra transmission loss due to air gap
2. Extra resonance frequencies :
  • Wall on air-spring
  • Acoustic resonance in gap
  • Coincidence frequencies.
  • Sandwich panelling.
End to End Solutions in #Mass #Frequency @acousticsasia


Sunday 27 April 2014

Speech Intelligibility

DO YOU KNOW THAT................Sound lies at the very center of speech communication. A sound wave is both the end product of the speech production mechanism and the primary source of raw material used by the listener to recover the speaker's message............Speech Intelligibility@Apocalypse Acoustics.

Apocalypse Push Series

The doer alone learneth. - Friedrich Nietzsche